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Adobe after effects cs6 jak zmieni j zyk free
Time-Reverse Keyframes. When you click the stopwatch button to deactivate it, keyframes for that property are permanently removed and the value of that property becomes the value at the current time. You cannot restore deleted keyframes by clicking the stopwatch button again.
Deleting all keyframes does not delete or disable expressions. Click the Enable Expression button to toggle the expression on and off, which toggles the keyframes off and on as a side effect. Jeff Almasol provides a script on his redefinery website that automatically removes keyframes based on specified criteria—for example, all keyframes in the work area, all odd-numbered keyframes.
Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. What are keyframes? Set or add keyframes. To activate the stopwatch and enable keyframing, do one of the following. Click the Stopwatch icon next to the property name to activate it. After Effects creates a keyframe at the current time for that property value. Add a keyframe without changing a value.
Do one of the following:. Auto-keyframe mode. Move the current-time indicator CTI to a keyframe. To move to the next or previous keyframe, click a keyframe navigator arrow.
To snap to a keyframe or marker, Shift-drag the current-time indicator. To move to the next or previous visible item in the time ruler keyframe, marker, or work area end , press K or J.
Select keyframes. In layer bar mode, selected keyframes are blue. Unselected keyframes are gray. To select a keyframe, click the keyframe icon. In the Timeline panel, click the Zoom In button or the Zoom Out button , or drag the zoom slider between the buttons. Drag the Time Navigator Start or Time Navigator End brackets to zoom in or out on a section of the composition time ruler. To zoom out to show the entire composition duration, Shift-double-click the Time Navigator.
Shift-double-click it again to zoom back in to the duration specified by the Time Navigator. To zoom in to show individual frames in the time ruler, double-click the Time Navigator.
Double-click the Time Navigator again to zoom out to show the entire composition duration. To zoom in the Composition, Layer, Footage, and Timeline panels using multi-touch gestures using two fingers, pinch your fingers closer together to zoom out or move your fingers farther apart to zoom in. When zoomed in time, press D to center the time graph on the current time. Choose a viewer to always preview. OR Click the Primary Viewer button in the lower-left corner of the panel.
Primary Viewer Button. Only one view can be set as Primary Viewer; enabling it for a viewer or view disables it in any other viewer or view where it had previously been enabled. When Primary Viewer is disabled, the most recently active viewer or view is used for audio and external video preview.
When you switch to a different viewer or view, that viewer or view takes control of audio and external video preview. Preview modes and Viewer Quality preferences. Preview modes and Fast Previews preferences. Draft 3D and Live Update modes apply to all views of a composition. Draft 3D. Live Update. Fast Previews. Fast Previews is off. Use this mode when previewing the final quality of your composition.
Fast Draft. Useful for setting up and previewing complex compositions. In Adaptive Resolution, it appears orange when the composition is downsampled. In these modes, the name of the mode appears in the upper-right corner of the Composition view.
If adjusting a property or scrubbing through the Timeline takes a long time in Final Quality mode, Adaptive Resolution, or Draft modes, the scene temporarily switches to show wireframes. The frame finishes rendering when you stop moving the mouse. If you are in a ray-traced 3D composition in Draft mode, and then switch to it to a Classic 3D composition, the fast preview mode automatically switches to Adaptive Resolution.
Click the Current Renderer menu button in the upper-right corner of the Composition panel to quickly open the current renderer settings in the Composition Settings dialog box. This method is applicable to a 3D layer, camera, or light in the composition.
Keyboard shortcuts for Fast Previews. Quality name. Viewer Quality preferences. Region of interest ROI. To draw a region of interest, click the Region Of Interest button at the bottom of the Composition, Layer, or Footage panel, and then drag to select a viewable area of the panel. To switch between using the region of interest and using the full composition, layer, or footage frame, click the Region Of Interest button.
To move or resize the region of interest, drag its edges or handles. Shift-drag a corner handle to resize while preserving aspect ratio. See Output module settings. Cropping a composition to the Region of Interest. Work area.
To set the work area start time or end time to the current time, press B begin or N end , respectively. To set the work area, move the start and end work area markers in the time ruler.
To move the work area, drag the center of the work area bar left or right. To show the duration of the work and the times of its beginning and end in the Info panel, click the work area bar. A sound is generated when you take a snapshot. To view a specific snapshot, press and hold F5, F6, F7, or F8.
Preview on an external video monitor. To enable video output to an external device, choose from the following options: Adobe DV : This is the FireWire option. Adobe Monitor x: These are your attached computer monitors that can receive video preview data through the graphics card. Third-party video hardware: These entries differ depending on what third-party hardware you have connected. More like this Views keyboard shortcuts Layer switches and columns in the Timeline panel Time navigation keyboard shortcuts Workspaces, panels, and viewers Preferences Render with OpenGL Basics of rendering and exporting.
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Optionally, you can use the Master Saturation and Master Lightness sliders to fine-tune the freshly selected color. After you import a clip into the software and place it on the timeline, you should go to the Layer menu, click New and then select the Adjustment Layer feature.
You can then change the color of the masked object using the Master Hue setting. Turn off the visibility for the bottom two copies of the clip, and then go to the Keying submenu of the Effects menu and select the Keyligth feature.
After keying out a particular color turn on the visibility for the second copy of the clip and click on it to select it. Adjusting Master Hue, Saturation and Lightness values will only affect the color you keyed, but you may also encounter some compression issues. Formerly known as Change Color HSL effect , the Change to Color effect enables you to change a selected color while leaving other colors unaltered. Add an adjustment layer over a video clip on the timeline by expanding the Layer menu , and selecting the Adjustment Layer option from the New submenu.
Adobe after effects cs6 jak zmieni j zyk free -
Keyframes are used to set parameters for motion, effects, audio, and many other properties, usually changing them over time. A keyframe marks the point in time where you specify a value for a layer property, such as spatial position, opacity, or audio volume.
Values between keyframes are interpolated. When you use keyframes to create a change over time, you typically use at least two keyframes—one for the state at the beginning of the change, and one for the new state at the end of the change.
When the stopwatch is active for a specific property, After Effects automatically sets or changes a keyframe for the property at the current time whenever you change the property value. When the stopwatch is inactive for a property, the property has no keyframes. If you change the value for a layer property while the stopwatch is inactive, that value remains the same for the duration of the layer.
When the stopwatch is active for a specific property, After Effects automatically adds or changes a keyframe for the property at the current time whenever you change the property value. Click the keyframe navigator button for the layer property. To turn auto-keyframe mode on, choose Enable Auto-keyframe from the Timeline panel menu. When Auto-keyframe mode is enabled, modifying a property automatically activates its stopwatch and adds a keyframe at the current time.
Auto-keyframe mode is off by default. When Auto-keyframe mode is off, modifying properties and animating with keyframes behave as in previous versions of After Effects. After you set the initial keyframe for a property, After Effects displays the keyframe navigator. You can use the keyframe navigator to move from keyframe to keyframe or to set or remove keyframes. When the keyframe navigator box is filled with a diamond, the current-time indicator lies precisely at a keyframe for that layer property.
When the keyframe navigator box is not filled , the current-time indicator lies between keyframes. Keyframe at current time B. No keyframe at current time C. No keyframes for layer property. For instructions for moving the current-time indicator to other elements and times, see Move the current-time indicator CTI. In Graph Editor mode, the appearance of a keyframe icon depends on whether the keyframe is selected, unselected, or semi-selected another keyframe in the same property is selected.
Selected keyframes are solid yellow. Unselected keyframes retain the color of their corresponding graph. Semi-selected keyframes are represented by a hollow yellow box.
To toggle viewing of the free-transform bounding box in the Graph Editor, click the Show Transform Box button at the bottom of the Graph Editor. When you select one or more keyframes, the keyframe menu becomes available at the bottom of the Graph Editor. Displays the value of the selected keyframe. If more than one keyframe is selected, the Display Value command is available, which displays the value of the highlighted keyframe in the selection.
Select Equal Keyframes. Select Previous Keyframes. Select Following Keyframes. Toggle Hold Keyframe. Holds the property value at the value of the current keyframe until the next keyframe is reached. Keyframe Interpolation. Rove Across Time. Keyframe Velocity. Keyframe Assistant. Convert Audio To Keyframes.
Analyzes amplitude within the composition work area and creates keyframes to represent the audio. Convert Expression To Keyframes. Analyzes the current expression and creates keyframes to represent the property values it describes. Easy Ease In.
Easy Ease Out. Exponential Scale. RPF Camera Import. Sequence Layers. Time-Reverse Keyframes. When you click the stopwatch button to deactivate it, keyframes for that property are permanently removed and the value of that property becomes the value at the current time.
You cannot restore deleted keyframes by clicking the stopwatch button again. Deleting all keyframes does not delete or disable expressions. Click the Enable Expression button to toggle the expression on and off, which toggles the keyframes off and on as a side effect. Jeff Almasol provides a script on his redefinery website that automatically removes keyframes based on specified criteria—for example, all keyframes in the work area, all odd-numbered keyframes.
Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. What are keyframes? Set or add keyframes. To activate the stopwatch and enable keyframing, do one of the following. Click the Stopwatch icon next to the property name to activate it.
After Effects creates a keyframe at the current time for that property value. Add a keyframe without changing a value. Do one of the following:. Auto-keyframe mode. Move the current-time indicator CTI to a keyframe.
To move to the next or previous keyframe, click a keyframe navigator arrow. To snap to a keyframe or marker, Shift-drag the current-time indicator. To move to the next or previous visible item in the time ruler keyframe, marker, or work area end , press K or J. Select keyframes. In layer bar mode, selected keyframes are blue. Unselected keyframes are gray.
To select a keyframe, click the keyframe icon. To select multiple keyframes, Shift-click the keyframes or drag a marquee selection box around the keyframes. If a keyframe is selected, Shift-clicking it deselects it; Shift-dragging to draw a marquee around selected keyframes deselects them.
To select all keyframes for a layer property, Alt-click Windows or Option-click Mac OS a segment between two keyframes in the Graph Editor, or click the layer property name in the layer outline. To select all keyframes for a property that have the same value, right-click Windows or Control-click Mac OS a keyframe, and choose Select Equal Keyframes. Keyframe menu commands. Edit Value. Opens a dialog box in which you can edit the value of the keyframe.
Selects all keyframes in a property that have the same value. Selects all keyframes preceding the currently selected keyframe. Selects all keyframes following the currently selected keyframe. Opens the Keyframe Interpolation dialog box. Toggles Rove Across Time for spatial properties. Opens the Keyframe Velocity dialog box. Opens a submenu with the following options:. Easy Ease. Automatically adjusts the influence into and out of a keyframe to smooth out sudden changes. Automatically adjusts the influence into a keyframe.
Automatically adjusts the influence out of a keyframe. Converts the rate of change in scale from linear to exponential.
Imports RPF camera data from third-party 3D modeling applications. Opens the Sequence Layers assistant. Reverses selected keyframes in time. Delete or disable keyframes. To delete any number of keyframes, select them, and then press the Delete key. To delete all keyframes for one layer property, click the stopwatch button to the left of the name of the layer property to deactivate it.
To temporarily disable keyframes for a property, add an expression that sets the property to a constant value. Sign in to your account.
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